Creativity—where
does it come from—where does it go?
When I saw the announcement of what was billed as “a new take on
Cinderella” I couldn’t imagine what that might be. We all know the story—a motherless girl is confined to the
kitchen where she cleans up and waits on her step mother and “ugly
step-sisters”. A fairy godmother appears, dresses her in a beautiful gown and
off she goes to the ball in a coach made out of a pumpkin with horses that
transform from kitchen mice! She
meets the prince, drops her glass slipper and after he searches the land for
the women whose foot fits the slipper, they’re reunited and all live happily
ever after (well, maybe not the stepmother and sisters but…)
So, imagine my delight when attending the San Francisco Ballet Company
of Cinderella at the Kennedy Center in Washington, DC, I noticed that
Christopher Wheeldon was co-producing this ballet. I’d seen a show about him and his amazing talents on CBS Sunday Morning a few months ago when he brought An American in Paris to Broadway . He’s a trained ballet dancer who now
produces and choreographs shows.
This version of Cinderella was beyond magical! Rather than starting with Cinderella in the kitchen,
sweeping the floor and looking sad, it began with her and her parents before
her mother died. We saw her in a totally different light while watched her
mother be buried and the sad little girl cling to her father in the cemetery
under a small tree. And that tree becomes
part of the story…
I remember seeing an interview with Stephen Spielberg’s mother where she
was asked about what he was like growing up. She told a story about one time young Stephen put a can of
cherry pie filling in the microwave to see what would happen AND she let
him! When I heard this, I thought
that most mothers would have grabbed that can out of his can before he could
close the microwave door but she let it happen. If she did that, she probably let his imagination flow at
other times too and we are all the better for it.
Most children have great imaginations. Watch them as they make up stories for their stuffed animals
or while they create great battles with their toy soldiers. How wonderful it is to just let the
ideas come into your head without having to stop and think if it’s right or
even makes sense!
Do you remember being told to “color inside the lines”? This happens to most kids when they get
to school—suddenly all the magic goes away. No longer can we have imaginary playmates or make up plays
and force our families to watch over and over again. No, we have to put all
that away and focus on real things! I ask you…why???
Back to Cinderella…in this version of the story there was no fairy
godmother, no pumpkin coach, and no clock striking midnight to end the
ball. There’s a tree that grows
out of her mother’s grave which the producer says is “the deliverer of all
things magic which I think is more poetic than a fairy godmother and quite
beautiful.” Christopher Wheeldon’s imagination coupled with his amazing ballet
talent has allowed him to create something so beautiful and memorable that I
can’t stop thinking about it.
What ideas, processes, policies, or practices could you approach from a
different perspective like Wheeldon did with Cinderella? What could happen if you allowed
something different to happen? How do you encourage creativity in your
workplace? Maybe a better question is DO YOU encourage creativity? Creativity has to not only be
permitted, it has to be nurtured and I hope you allow your teams to bring new
ideas and new ways of solving problems to your workplace! How do you reward creativity? Who knows what they may come up with if
you just let them try!
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